![]() WHY IT DESERVES A NOD: FX’s captivating drama, set during the height of the 1980s crack epidemic, closed out its run on a series high as Franklin finally got what was coming to him, ending up broke and wandering the neighborhood he destroyed with drugs. Honestly? Give ‘em the trophy for that Episode 3 diversion alone, a tour de force from guest stars Murray Bartlett and Nick Offerman that still makes us weep whenever we see a strawberry patch. WHY IT DESERVES A NOD: How’s this for a cheat code? Executive producers Neil Druckmann and Craig Mazin blended a cracking-good cast (led by Pedro Pascal and Bella Ramsey), spare-yet-evocative writing and loving devotion to/willingness to deviate from the source material - a post-apocalyptic, zombie video game! - all to create one of the finest dramas we’ve seen in years. Combine that with innovative turns like Black Noir’s animated backstory and surprisingly emotional twists (anything with Kimiko and Frenchie seizes our hearts), and you’ve got a series that not only knows how to shock, but also continues to push itself to new depths. But just rewatch Homelander’s Trump-esque triumph in the season finale and try not to get chills. WHY IT DESERVES A NOD: With all the hype surrounding the superhero drama’s audacious content in Season 3 (see: the premiere’s exploding penis, the “Herogasm” episode), it’s easy to forget that underneath all the gory and explicit scenes is a sharply written and powerful satire. (Bob Odenkirk and Rhea Seehorn were never better.) Plus, it all wrapped up with a supremely satisfying series finale that even rivaled Breaking Bad‘s own celebrated swan song. In the rivetingly tense final season, we said goodbye to key characters in shocking fashion, reunited with familiar faces (hi, Walt and Jesse!) and saw the damage caused by Jimmy’s sins in an extended black-and-white flash-forward. WHY IT DESERVES A NOD: This is Saul‘s last chance to grasp Emmy gold after going home empty-handed on a whopping 46 total nominations so far - and it’s hard to imagine a more convincing closing statement. Mando and Sir Din Grogu are fun to fritter away time with, but Andor is the Star Wars series many fans were looking for. And visually, Andor was downright transporting, leaving behind the flat, digital backdrops of The Mandalorian to instead situate characters on lush, actual landscapes or inside the grimy alleys of Ferrix. WHY IT DESERVES A NOD: Taking its cue from the film Rogue One, for which the two-season series serves as a prequel, Andor is a grounded, slow-burn espionage tale populated by engaging characters both familiar ( Rogue One star Diego Luna’s Andor, franchise vet Genevieve O’Reilly’s Mon Mothma) and new. ![]() The 75th Primetime Emmy Awards ceremony is scheduled to air on Monday, Sept. Scroll through the list below to review all of our Dream Nominees and then tell us if our picks warrant a “Hell, yes!,” “Um, no” or “How could you leave off such-and-such?!”įor the record, 2023 Emmy nominations will be voted on from June 15-26, and unveiled on July 12. ![]() The bigger question, of course, is whether any of the aforementioned series deserve to be in the running for TV’s highest honor (because, reminder, these are recommendations, not predictions). ![]() However, two other super-buzzy HBO dramas - we’re looking at you, The Last of Us and The White Lotus - could easily play spoiler. Without question, the HBO phenom - coming off a very well-received fourth and final season - is the frontrunner to take home the top drama prize (as it did in 20). TVLine’s annual advocacy period known as Dream Emmy season has commenced! As per tradition, we’re launching the three-week event with the Outstanding Drama Series race and this very familiar question : Is Succession unbeatable?
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